Friday, July 26, 2013

Bali and Borneo Amazing Photography Adventure


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Bali Culture, Volcanoes and Orangutans in Borneo - Just released for late November 2013


I have just officially released an amazing photographic tour and workshop for late November in Bali and Borneo.

Dave Metcalf (Dayak Dave) and myself will lead this incredible adventure over 8 days taking in (amongst other things) the following:

  • Ancient temples of Bali, 100 dancers at special performance in an ancient temple just for our group, Balinese landscapes, cultural ceremonies
  • West Bali -Buffalo races plus colourful Bugis boats, terraced rice fields, volcanoes
  • Orangutans in Borneo plus birdlife and native Dayak culture
  • Monkeys and the stunning Bali Bird park
  • Borneo traditional villages, beautiful rivers, stunning sunsets
  • Special dance performance on a private island - Kalimantan
  • Challenging travel photography
  • Feedback sessions on photography and post processing techniques
and much, much more.





Read more here...




Saturday, July 20, 2013

The Art of Shooting in the Wild


Guest contributor, Julie Roper, shares the Trekabout philosophy of enjoying and photographing  Australia's landscape and wildlife responsibly. We trust you enjoy her enlightening article.

The Art of Shooting in the Wild 

by guest contributor - Julie Roper

Australia is a continent of wide-open spaces, from its panoramic coastlines to its outback and mountains; there is an abundance of photographic opportunities available for enthusiasts who want to capture the essence of this country’s wilderness. By following a few guidelines about shooting in the wild, you can create stunning vistas and animal portraits on your trek that will be long remembered.

Panoramas
Australia’s landscape is made for the panoramic shot, but this can be difficult to capture on film, with lenses covering up to 90 degrees, so you may find you need to take a series of photographs of your panorama and join them up to create the full effect.
In the old days, this would mean lining the shots up by hand to frame them, but now with the software available, the job is made easier for stitching together shots. You should aim to overlap your shots when you take them by up to 50 per cent so that you make sure you capture the entire subject. Shoot from left to right, so that they are in the correct order and then choose a stitching software package such as Adobe Photoshop, Double Take or Adobe Elements.
Some tips for capturing the best panoramas on your camera include shooting on manual to ensure the exposures have continuity to them. Avoid polarisers and keep the horizon near the centre of your picture so that it doesn’t curve too much.

Shooting the Outback
The Outback has been fascinating photographers for many years, with its lunar like landscape and panoramic views. Understanding this environment is important to being able to capture it successfully. The Outback can reach temperatures of 50 degrees Celsius and you and your equipment need to be vigilant in the heat. Cameras can be damaged by excessive temperatures, whilst photographers become dehydrated quickly. Preparation is the key to an Outback expedition: make sure you invest in the appropriate cover for your gear in case of any accidents and damage occurring. Your equipment is expensive and you need to protect it, particularly out in the open where it is more vulnerable and at the mercy of the environment, or where it might be dropped. Keep your camera in a bag and away from direct sunlight where possible. The dust is another major factor to consider as it can seriously damage your equipment so make sure you only take your camera out when you are shooting.
Another useful tip when shooting in the Outback is to make sure you carry enough water for your trip. A dehydrated photographer will not be thinking creatively about the next shot.
The light in the Australian Outback is remarkable and will give your photographs a unique, surreal look to them, but be careful of glare as this can destroy shots. Adjust your camera to take harsh glare into account and consider using filters to create the effect you want.

Wildlife
The key to photographing wildlife is to focus on the eyes, as this ensures you have the animal in your sights and can capture it accurately on film. A good tip is to shoot quite a few frames, pausing to refocus to make sure you iron out any errors that might show up later on. Wildlife is notoriously difficult to shoot successfully and practice definitely makes perfect. If the subject is still, the job is made easier and you might use a manual focus for a long lens. Remember that the eyes should always be the focal point to your shot and that the centre of the focus will be the most accurate part of the composition. Many photographers use a flash, which is on a low setting when they shoot wildlife pictures. This will fill in any shadows and highlight the eyes, bringing animals and birds to life on film.
There is a code of conduct that photographers should adhere to when shooting in the wild, to avoid too much stress being put on animals and birds in their natural habitats. Observe conservation laws in local areas, taking notice of restricted areas. Obtain permission if you need to gain access to private land. Birds that are nesting may be put at risk by photography and detailed knowledge of the species and their habitat should be sought before shooting takes place.
Shooting in the Australian wilderness is a rewarding experience and, by following some simple guidelines, you should be able to create some stunning photographs of this fantastic land and its wildlife.

Friday, July 12, 2013

New Melbourne Post Processing Bootcamp Announced

Weekend Photoshop and Lightroom Bootcamp Workshop Class with Mark Rayner

Where: St Kilda - Melbourne
Next workshop: 
31 August - 1 September 2013

Due to increasing requests we are pleased to offer a digital post-processing and workflow program with particular emphasis on Adobe Lightroom 5 and Adobe Photoshop in Melbourne.
The workshop is spread over two days, incorporating 5 two hour sessions and a 3 hour 'Phototrek' to begin the workshop. Held in the air conditioned Oakley South Pacific, Head Office at St Kilda, there is plenty of parking available with easy access. Morning teas will be provided.

The workshop will cover:

Importing and opening images
Image resolution  Selections and masks
Colour and white balance adjustments
Retouching  Histograms
File formats
Filters Actions Scripts
Plug-ins
HDR Metadata Batch processing
Presets
Keyboard shortcuts Exporting and saving  Automating tasks
Re-sizing
Sharpening
Noise reduction
and much, much more.
Program:

Saturday and Sunday 8:30am to 5:00pm
The Phototrek

We commence proceedings shooting the St Kilda foreshore, Luna Park and surrounding areas during a 3 hour photo walk. We will all be photographing together and this shoot will provide much of the imagery for the weekend's processing tuition. You will be working from scratch on images from your own camera.


Session 1
This session covers the basics of Adobe Bridge and Camera Raw and de-mystifying the connections of both with Photoshop. Mark will show you how best to transfer your images to your computer and some convenient protocols for folder naming and storage. We will also look at how Adobe Lightroom can be incorporated ion your Photoshop workflow.

Session 2
This session will cover image adjustment and enhancement in Camera Raw and look at a number of techniques to speed up the post-processing workflow. We will look at the various adjustment modules and tools which will become the backbone of your image processing.

Produce amazing black and white results
20130624_112937_untitled shoot__MR20750_HDR-Edit 20130516_093700_Mt Batur_MPR_2524-Edit
Session 3
We will start to get into some of the new user friendly aspects of Photoshop and really begin to make a difference to our RAW files to produce images with that "Wow" factor. We'll look at the best way to set up your tool panels and optimise your workspace to suit your style and needs. You will explore the different tools available in Photoshop and how and when to use them.

Learn how to turn an overexposed washed out image ........................................into a dramatic, punchy photograph in just a few easy steps.
 

Session 4
To help speed up the workflow process we will begin to incorporate plug-ins, presets, actions and scripts. As well as providing you with many ready to use presets and actions, Mark will guide you through the process of creating your own actions to speed up processes that you find yourself doing more often.
You'll learn how to create stunning, unique and interesting backgrounds for your "studio" portraits and much more.
  
Session 5
By this session you will have a new understanding of presets, actions, scripts, plug-ins, batch processing, curves, layers, masks, resolution, filters and many more terms.This session will put your new found knowledge and skills to work and consolidate what you have learned into a smooth and efficient workflow. We will also look at the basics of some of the hot topics of digital photography such as HDR (High Dynamic Range), Panorama stitching and more.

All attendees will receive a complimentary Photoshop actions, presets, scripts, printable cheat sheets and more.